Buy for discount up to 80% Propellerhead Reason 5


Propellerhead Reason 5

While at the same time a lot of acoustic instrument is used. At the same time, deep house is often seen as a more chilled down version of house music. While a lot has changed during the progression of time since is a genre that started to rise up during the ’90s a lot of the basics of the genre has still remained the same.

One thing I really like about this type of house music is that electronic pianos and real pianos play an important role in this genre. While real pianos are often filtered as such to mimic the idea that it turns in to an electronic piano again. In Reason itself, there are a lot of different options that can be used to make use of a piano that could fit in a genre like Deep House itself. So I would like to share some different ideas that touch this realm.

I might add, I will be using Reason 9 while writing this article. So some of the patches that I am providing may not work in older versions just saying. In this case, I will mainly look at self-vocoded sounds and how you can make use of the BV vocoder to create a different type of artifacts even while using the original sound you were using.

In a nutshell, the BV vocoder translates pushes the input sound into the additive realm more or less. With that in mind, we can when needed make a blend from subtractive towards additive synth while using the vocoder in this context. To be fairly honest here, the BV is not the perfect vocoder while applying this technique since it shows ‘weird’ artifacts in the FFT-mode inside this device. But from a reason build in device perspective, it is the only way to do this.

And as long there are no real other Rack Extensions that implement a vocoder in this type of context we’ll just have to keep using this device until one gets developed I would personally love to get one that is a native Rack Extension device for sure. But ok, this is a personal preference anyway. Since I had a weird childhood a lot of my soundscapes are just plain weird.

Sometimes I like to use these type of effects just to have something unpredictable going on while at the same time make it musical. A lot of these type of effect relies on using the audio and make the audio shape the sound in different directions also known as Audio to CV. At the same time, I want to have some form of manual control on this. The manual control can often be done by using rotaries while doing so. It will be the curve output from the step sequencer.

While in practical usage the step sequencer is often used to play a sequence in a linear direction. A similar thing could be said for the Matrix Pattern Step Sequencer. Sometimes we just need a simple tool that allows a curve that can be stepped differently per note and sometimes we don’t. There are all kinds of different options to make this work. In the next few paragraphs, I would like to use the curve from the Thor synthesizer to mimic this idea but have different things to control its output.

Till this day I still revisit this device for many different reasons. While it is flexible to play around with different oscillator types. The most interesting part is playing around with the Thor Modulation Bus matrix. The major problem with the mod bus matrix is that there are so many connections possible it is hard to write them all just down in one article. There is one item I find really interesting and you probably have read about it on this website in particular and this is the Oscillator to FM.

If you think in terms of “room” and “size” the first thing you think of is an effect called a reverb. Since a reverb creates “space” right? While using a reverb is basically something everyone has used, tried to manipulate and so on.

Let me say this: While most people tend to overlook the idea, it is quite similar to a plain spring reverb. Since in theory, a spring reverb technically passes on the sound over a spring, and the spring starts to “move” tremor based on the sound. Where a lot of instruments that are used are soft picking type of sounds. While at the same time a lot of acoustic instrument is used. At the same time, deep house is often seen as a more chilled down version of house music.

While a lot has changed during the progression of time since is a genre that started to rise up during the ’90s a lot of the basics of the genre has still remained the same. One thing I really like about this type of house music is that electronic pianos and real pianos play an important role in this genre. While real pianos are often filtered as such to mimic the idea that it turns in to an electronic piano again.

In Reason itself, there are a lot of different options that can be used to make use of a piano that could fit in a genre like Deep House itself. So I would like to share some different ideas that touch this realm. I might add, I will be using Reason 9 while writing this article. So some of the patches that I am providing may not work in older versions just saying. In this case, I will mainly look at self-vocoded sounds and how you can make use of the BV vocoder to create a different type of artifacts even while using the original sound you were using.

In a nutshell, the BV vocoder translates pushes the input sound into the additive realm more or less. With that in mind, we can when needed make a blend from subtractive towards additive synth while using the vocoder in this context. To be fairly honest here, the BV is not the perfect vocoder while applying this technique since it shows ‘weird’ artifacts in the FFT-mode inside this device. But from a reason build in device perspective, it is the only way to do this.

And as long there are no real other Rack Extensions that implement a vocoder in this type of context we’ll just have to keep using this device until one gets developed I would personally love to get one that is a native Rack Extension device for sure.

But ok, this is a personal preference anyway. Since I had a weird childhood a lot of my soundscapes are just plain weird. Sometimes I like to use these type of effects just to have something unpredictable going on while at the same time make it musical.

A lot of these type of effect relies on using the audio and make the audio shape the sound in different directions also known as Audio to CV. At the same time, I want to have some form of manual control on this. The manual control can often be done by using rotaries while doing so. It will be the curve output from the step sequencer. While in practical usage the step sequencer is often used to play a sequence in a linear direction.

A similar thing could be said for the Matrix Pattern Step Sequencer. Sometimes we just need a simple tool that allows a curve that can be stepped differently per note and sometimes we don’t. There are all kinds of different options to make this work. In the next few paragraphs, I would like to use the curve from the Thor synthesizer to mimic this idea but have different things to control its output.

Till this day I still revisit this device for many different reasons. While it is flexible to play around with different oscillator types. The most interesting part is playing around with the Thor Modulation Bus matrix. The major problem with the mod bus matrix is that there are so many connections possible it is hard to write them all just down in one article. There is one item I find really interesting and you probably have read about it on this website in particular and this is the Oscillator to FM.

If you think in terms of “room” and “size” the first thing you think of is an effect called a reverb. Since a reverb creates “space” right? While using a reverb is basically something everyone has used, tried to manipulate and so on. Let me say this: While most people tend to overlook the idea, it is quite similar to a plain spring reverb.

Propellerhead Reason 5

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Reason 5: Manipulate Samples: Import samples into grain for redacting and reconnoiter the warm and nonfigurative sound of granular synthesis. Synthesize Polysonic: Have a great feel of mixing and matching from over 40years of synth history because the software comes with a semi-modular instrument with efficient synthesis power. Synthesize Analogically: This is like a sound doctor always ready to help the user to synthesize sound efficiently and promptly classically.

Propellerhead Reason 5

Cheapest way to get Propellerhead Reason 5

Apr 25,  · Buy Propellerhead Reason 10 Music Production Software: Computer Recording – bestbuyhow.com FREE DELIVERY possible on eligible purchases/5(22). Record is a free upgrade for existing users. Owners of Reason 4 and Record likewise get Record for free if they upgrade to Reason 5. Reason and Record are both nicely presented boxed packages, each containing an installation DVD and a printed Getting Started manual containing clear and well‑written tutorials aimed at newcomers. Reason is a powerful collection of virtual instruments, effects and music production tools where musical ideas and amazing sounds comes to life. Available as a VST plugin or in .

Reason 5 Signature Patches