Buy for discount up to 80% Steinberg WaveLab 6

Steinberg WaveLab 6

Batch processing The mighty Batch Processor allows you to process multiple audio files in one go. You can not only convert audio files into different formats, you can even combine your favorite plug-ins to create a whole plug-in chain that is batch-processed.

The Batch Processor also includes a feature called Watch Folders, accelerating batch conversion and processing tasks by outsourcing them to a designated standard Windows or Mac folder of a supported operating system. There, folders are processed by WaveLab with tasks you can predefine, such as normalization, plug-in processing, file format conversion and more.

Audio files placed into the folder will be converted using the processing commands previously created for that folder. Go to top Export: CD mastering, rendering and DDP creation Mastering means adjusting levels, equalization, spatial integration and many other audio aspects between different audio tracks in order to create a coherent acoustic experience across the entire production.

With WaveLab you can create a CD image file and optionally compare the final CD to the master image for error checking and repair. WaveLab contains more than 45 high-quality plug-ins.

A professional program layout WaveLab speeds up the mastering process by providing an ingeniously thought through interface concept that is easy to learn and to adapt to individual needs. All ribbon tabs are context sensitive and appear dynamically. The File tab provides all functions for setting up the project and exporting audio material in different file formats.

Master Section The Master Section provides a perfect overview on the main level of the audio material. Last but not least, WaveLab provides speaker management for monitoring several loudspeaker setups.

Organizing your project WaveLab includes a project concept based on File Groups. This allows you to individually group a bunch of single audio files and the resulting Audio Montage into which the single files are composed in one framework — the File Group.

This also works for batch processing files. Project Manager Large projects often result in complex structures that need to be managed coherently and clearly. WaveLab helps you to keep track of your audio files and audio montages with the Project Manager. The Project Manager provides a tree structure view that lets you instantly see which files belong to which file group, how they are named and if they have been modified.

This is far more versatile than the previous Fade processes, especially with its ‘smooth envelope’ function that turns lines into curves. Yet another enveloping function that I found particularly useful is the Effect Morphing: I also found this a very useful way to avoid clicks when you want to process only part of a file. The previous Normalise process has become Level Normaliser, and is joined by Loudness Normaliser, which works with RMS levels to set a loudness and is thus far more appropriate than the conventional peak level adjustment when you’re trying to make individual tracks sit in an album context.

There are also many smaller additions and improvements that prove really helpful. Here are some that particularly appealed to me: Wavelab has always had a comprehensive Key Commands section allowing you to assign keyboard shortcuts to most operations, but this has now been extended to include MIDI command options, which makes it a lot easier to couple Wavelab up to MIDI controllers or sync it to other applications.

The Rename File function can now automatically update any references to the file in all other open documents, and rename any associated peak and marker files. This is particularly handy if you want to rename an individual track used in one or more Montages, since in the past the next time you opened them you’d get ‘file not found’ problems.

There’s also a Batch file-renaming tool with more comprehensive features. The old Wave Scope oscilloscope display has been renamed Oscilloscope and been augmented by a new Waveform Scope that displays a real-time drawing of the audio signal being monitored — anyone who has ever used a high-persistence storage ‘scope will know exactly what to expect, and it’s a handy way to monitor an in-progress recording to check that everything’s OK.

Generic plug-ins without a dedicated graphic interface finally appear with a full set of slider controls, rather than the previous rather primitive parameter pages and a single rotary knob. The new Edit Folders dialogue lets you specify all the document, work and temporary folders used by Wavelab, while graphic peak files can now be stored separately from the audio files. New Treatments Previous Wavelab versions offered the same sample-rate conversion algorithms as Cubase and Nuendo, but Wavelab 6 includes a new SRC Crystal Resampler that’s gaining much praise for its conversion accuracy — it’s significantly more transparent, and roughly on a par with Voxengo’s highly acclaimed rBrain Pro.

Also, tucked away inside both the Time-stretch and Pitch Correction processing windows is an innocuous new tick box that should bring a big smile to all those who do a lot of work with loops. There are six variations on the DIRAC algorithm for dealing with different kinds of source material such as instruments, voices, classical music, percussion and so on, and I found they imposed significantly fewer artifacts on long stretches than the previous algorithms.

The newly refined Audio Input plug-in now lets you record incoming signals to up to eight audio channels simultaneously, for live surround recording and treatment. Also new in the process menu is a Pitch Quantise option that works on monophonic lines to correct intonation problems; you can define the reference frequency, pitch tolerance and slur time. It’s a sort of poor man’s Auto-Tune, and can also be persuaded to perform subtle Cher-like robotic glitches at extreme settings.

Audio Input replaces the previous ‘Live Input’ function, letting you capture any incoming signal from your audio interface hardware with Master Section effects, but is far more versatile since the plug-in window lets you select any number of input channels from one to eight, and your choice of sample rate.

It must always be loaded in the topmost effect slot. The Master Section itself also benefits from a few new options. You can now store its current set of plug-ins with an audio file, its display now indicates both ‘plug-ins active’ green and ‘global bypass’ red states, and the plug-ins organiser now recognises folders. The stand-alone Harbal application does this as well, and it’s an extremely useful tool when making mastering decisions.

Wavelab 5: February www. May www. March www. June www. October www. August www. I feel more comfortable working in the Wavelab environment than with any other audio application I’ve ever used, and rely on it a great deal for my day-to-day work. It has rarely let me down over the last nine years. Pros Sophisticated spectrum editing for audio restoration work.

Wonderfully creative spectrum plug-in options. Improved sample-rate conversion algorithm. Lots of new loudness analysis and treatment options. Bargain upgrade prices. Requires dongle for the first time. Summary Wavelab 6 manages yet again to add a further comprehensive selection of must-have additions and improvements to an already world-class application used by lots of professionals on a daily basis.

Steinberg WaveLab 6

Steinberg WaveLab 6 discount

Comparison Create music your way with Cubase Cubase is one of the most powerful music creation software packages in the world. With its unrivaled range of flexible tools, you can create any kind of music quickly and intuitively. It comes packed with a wide range of virtual instruments, effects and thousands of sounds. The reference standard for music production software Produce tracks from start to finish Suitable for all genres, levels and budgets Fast, flexible and intuitive workflows What you can do with Cubase Composing Find the right chords, arrange your songs and produce sheet music for others to play Sequencing Create musical sequences of your virtual instruments, keyboards and audio recordings Beat making Produce beats and build tracks quickly and easily Recording Record any instruments or vocals, ensembles or soloists and produce the perfect take Audio editing Effortlessly make the timing and pitch of your recordings perfect Mixing Mix multi-track projects in a professional and intuitive mixing environment 10 fantastic features that you need to know The whole world of Cubase.

Cheapest Price Steinberg WaveLab 6

Mar 1, In Spectrum mode, users can identify and edit specific frequencies, leaving adjacent frequencies nearly untouched. My own decision to upgrade to Version 6 was made easier by the addition of several new features to a stereo editor I already enjoy using. The new functions are not eye- or ear-candy, but serious productivity-enhancing tools. Here are some of my favorite shortcuts for using WaveLab 6. Spectrum displays a spectrographic image with frequency on the vertical axis and intensity represented by color.

WaveLab Steinberg – audio editing for beginners